Peter Brinson: “if I have looked into dance I have looked into life”

“I thought to myself, if I have looked into dance I have looked into life”

Note written by Peter Brinson, D12/2003/16/42/7, c1990s

So wrote Peter Brinson in the 1990s, near the end of a career dedicated to dance. But who was Brinson and why is he important to the history of the Faculty of Dance at Trinity Laban Conservatoire of Music and Dance?

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Peter Brinson giving a speech at Graduation Day at the Laban Centre (now the Faculty of Dance, Trinity Laban). With Mirella Bartrip and Sir Walter Bodmer. Undated. Photographer: Tony Nandi. RefNo: D11/A/10/2/42/2/1

Brinson was born in Llandudno on 1920. After serving in the Second World War he took first-class honours at Oxford University in Politics, Philosophy and Economics. He then became Director of Research at the Film Centre in the early 1950s. It was around this time that he saw ‘The Green Table’, a ballet by Kurt Jooss, being performed at the Oxford Playhouse, and ‘Les Sylphides’ performed by what was then Sadlers Wells Ballet at Covent Garden, and became captivated by dance. He took two ballet classes a week for the next three years and regularly saw all the repertory of the Sadlers Wells Ballet thus building a knowledge of classical ballet. He began reviewing ballet performances for ‘The New Statesman’ , eventually becoming dance critic for ‘The Times’, the ‘Observer’, the ‘Sunday Times’ and the ‘Financial Times’ whilst also giving lectures on ballet and dance at Oxford, Cambridge and London universities. He also co-authored a book ‘The Choreographic Art’ with Peggy van Praagh which was the only book of its time to combine the history and practice of choreography [copies are available to view in the Laban Library and Archive]. He also wrote ‘Background to European Ballet’ which was the result of research funded by the Council of Europe and the British Council.

Brinson’s dance lectures for the Oxford University Extramural Department developed into lecture demonstrations where he would take dancers with him to demonstrate ballet technique and dance excerpts from classical ballets. Around this time Brinson was asked by the newly formed Gulbenkian Foundation, a charity focused on fostering knowledge and raising the quality of life of people throughout the fields of the arts, charity, science and education, to look at how the Foundation might help dance in the UK. He suggested that a small touring unit be formed that would tour nationally taking ballet into the towns and villages of the UK. He was invited to apply, successfully, for a grant for such a unit, and thus ‘Ballet for All’ was born in 1964.

 

Ballet for All developed a formula whereby a ballet master, six dancers, two pianists and two actor-narrators could both entertain and instruct, with scripts written by Peter Brinson in the form of ballet-plays. The dancers were seconded from the Royal Ballet Touring Company.

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Front page of a ballet-play script by Peter Brinson for Ballet for All,  Oct 1973. [RefNo: D12/2003/16/81/1]

Ballet for All proved to be very popular and Brinson continued to lead it into the early 1970s. Its influence continues today as most major dance companies have educational units that are considered a crucial part of their work.

Following a brief spell as Director at the Royal Academy of Dancing in 1968-69, Brinson was offered the job of Director of the Gulbenkian Foundation in London which he took on in 1972 and held until 1982. It was here that he began his campaign for recognition of and help for the arts. He set up and chaired an inquiry into Dance Education and Training in Great Britain (published in 1980), which assembled for the first time, detailed statistics and laid out a national plan for dance. It was as a result of this inquiry that Europe’s first Dance Department, at the University of Surrey, was established in 1981.

Whilst still at the Gulbenkian Foundation, Brinson became the Chairman of the Dance Board at the  Council for National Academic Awards from 1975-1984, which validated the pioneering BA (Hons) in Dance Theatre at the Laban Centre (now the Faculty of Dance, Trinity Laban). During this time he also sat on the validation panels at London Contemporary Dance School, Middlesex Polytechnic (now University) and other centres.

In 1982 he left the Gulbenkian Foundation to join the Laban Centre (now the Faculty of Dance, Trinity Laban), a decision that Brinson writes about in a piece held in his collection in the Laban Archive – see below:

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‘Something very new’ written by Peter Brinson, 1984, p. 1 [RefNo: D12/2003/16/41/4]

 At the Laban Centre Peter Brinson launched the one year Community Dance and Movement Course  (later validated as the Postgraduate Diploma in Community Dance) and became Head of Postgraduate Studies. He initiated the Sociology of Dance and Politics of Dance courses at undergraduate, MA and research levels and continued as a consultant at the Centre until his death in 1995. On his death, Peter Brinson’s papers were given to the Laban Library and Archive as the Peter Brinson Collection. The Collection can be accessed via the archive catalogue .

Brinson’s influence was in no way limited to the UK. As his reputation grew over the course of his career he was invited to speak at innumerable international conferences and to carry out research projects and write reports on dance for governments all over the world. He wrote many articles and papers and published many books over the course of his life – some of which are available in the Laban Library and Archive.

la-d-12-6-1Photograph of Peter Brinson and Simone Michelle, members of staff at the Laban Centre,  at a Laban Centre staff party, 1991. Photographer: ?Marion North. RefNo: LA/D/12/6/1

As Shirley McKechnie writes, when describing Peter Brinson,

“…he had the soul of an artist, the intellect of a philosopher, the astute mind of a politician, the tongue of a diplomat and the manner of a man of the world.”

McKechnie, p. 46

Bibliography:

Brinson, Peter with Ralph, Richard. (1997). ‘Dance Memoirs’, Dance Research: The Journal of the Society for Dance Research, Vol XV, No. 1. Summer 1997, pp 13-30

McKechnie, Shirley, (1997). ‘Voices from Austalia. A Tribute to Peter Brinson’, Dance Research: The Journal of the Society for Dance Research, Vol XV, No. 1. Summer 1997, pp 31-48

Nugent, Ann, (1996). ‘In Memorium: Peter Brinson’, Dance Research Journal, 28/1 Spring 1996, pp 127-129

Ralph, Richard. (1997). ‘Peter Brinson’, Dance Research: The Journal of the Society for Dance Research, Vol XV, No. 1. Summer 1997, pp 5-12

 

 

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Happy endings

Our 'Retired not Tired' Dance for Health archiving group hard at work

Our ‘Retired not Tired’ Dance for Health archiving group comprising Jane Mandlik, Gill James, Hilary Ball and Ann Lewis, hard at work.

So we have come to the end of term and our hard working volunteers are finally having a bit of a breather. They have been working extremely hard with amazing results!

Ann with her empty box

Ann Lewis finishes listing her box of Peter Brinson material.

Sara and her finished box2

Sara Manazza finishes cataloguing her box of photographs of small dance companies in the UK covering the dates 1898-2002, from the Peter Williams Collection held in the Laban Archive

And have found some really interesting things on the way …

Gill James and a Ballet for All programme

Gill James and a Ballet for All flyer advertising the first ever time that members of the Royal Ballet and the Martha Graham Company performed together on the same stage, at the Theatre Royal, Stratford. Held in the Peter Brinson Collection in the Laban Archive.

Extract from a programme of the Young Playhouse Association where a certain David Bowie was performing in 1967 in

Extract from a programme of the Young Playhouse Association where a certain David Bowie was performing in 1967 in a work by Lindsay Kemp. Held in the Peter Brinson Collection in the Laban Archive.

Printed manuscript with corrections  of 'The Romantic Ballet in Paris' by Ivor Guest, a standard work for dance historians, first published in 1966. This manuscript is dated 1965. Held in the Peter Brinson collection in the Laban Archive.

Printed manuscript, with corrections, of ‘The Romantic Ballet in Paris’ by Ivor Guest, a standard work for dance historians, first published in 1966. This manuscript is dated 1965. Held in the Peter Brinson Collection in the Laban Archive.

These items will soon appear on our Laban Archive catalogue – have a browse to see what else we have!

Volunteer archiving group in the Laban Archive

For the past six months or so an intrepid group of members of the ‘Retired Not Tired’ dance for health class have been volunteering in the Laban Archive every Tuesday afternoon. They have been working on the Peter Brinson Collection. Peter Brinson was head of postgraduate studies at Laban in the 1980s and before that had been the director of Ballet for All which took ballet out into the provinces of the UK to new audiences. The plucky volunteers are sorting through the 114 boxes of the collection, taking out staples and adding brass paperclips, rehousing the collection in new folders and boxes, and listing the contents of the boxes. The lists are being added to the Laban Archive catalogue (see http://calm.trinitylaban.ac.uk/calmview/) so that everyone can see what is in the collection and so it can be used by students and researchers. Take a look! and if you fancy trying your hand at volunteering in the archive, contact the Archivist at archivist@trinitylaban.ac.uk

Image

This photograph features from left to right Sheila Hartley, Ann Lewis, Gill James, Hilary Ball and Ian Russell in the Laban building, Creekside, London