Our ‘Retired not Tired’ Dance for Health archiving group comprising Jane Mandlik, Gill James, Hilary Ball and Ann Lewis, hard at work.
So we have come to the end of term and our hard working volunteers are finally having a bit of a breather. They have been working extremely hard with amazing results!
Ann Lewis finishes listing her box of Peter Brinson material.
Sara Manazza finishes cataloguing her box of photographs of small dance companies in the UK covering the dates 1898-2002, from the Peter Williams Collection held in the Laban Archive
And have found some really interesting things on the way …
Gill James and a Ballet for All flyer advertising the first ever time that members of the Royal Ballet and the Martha Graham Company performed together on the same stage, at the Theatre Royal, Stratford. Held in the Peter Brinson Collection in the Laban Archive.
Extract from a programme of the Young Playhouse Association where a certain David Bowie was performing in 1967 in a work by Lindsay Kemp. Held in the Peter Brinson Collection in the Laban Archive.
Printed manuscript, with corrections, of ‘The Romantic Ballet in Paris’ by Ivor Guest, a standard work for dance historians, first published in 1966. This manuscript is dated 1965. Held in the Peter Brinson Collection in the Laban Archive.
These items will soon appear on our Laban Archive catalogue – have a browse to see what else we have!
Gill James, a member of our scholarly ‘Retired not Tired’ archive volunteer team, found the following quote in a letter from John Steer to Peter Brinson. It mentions a conversation he was having with Anne Dorothea Hewer (nee Hiatt), former chairperson of what was to become the Scottish Ballet. She was having dinner with the choreographer Antony Tudor and she asked him what he thought was so special about Isadora Duncan:
‘Physicality’, he said. ‘She felt the air with her skin’
And Jane Mandlik, also from our volunteer team, found the following quote from John Locke, quoted by Peter Brinson in notes he was making for a book:
‘Dancing, being that which gives graceful motions all the life and, above all things, manliness and a becoming confidence to young children, I think cannot be learned too early … Nothing appears to me to give children so much confidence and behaviour, and so to raise them to the conversation of those above their years, as dancing.’
These and many more papers can be found in the Peter Brinson Collection, currently being listed by our volunteers and being made available on our catalogue – have a browse!
Our intrepid senior archive volunteers came across some interesting snippets in their Peter Brinson boxes this week:
Hilary Ball found a letter to Peter Brinson from Claire de Robilant talking in 1984 about where the British Council dance library should go,
Sykes apparently thought that the Company at The Place would read, but they hardly ever go in the Library. And of course “ballet books” are not Robin [Howard]’s delight, “ballet is only “Swans and Wilis”
Ann Lewis found the following notes by Peter Brinson for an obituary, we think probably for a certain Rudolf Nureyev,
A sexual image of masculine macho attraction in photographs. No dancer before has done this. Prodigious sex appeal and sensual appeal to men and women
And coming back down to earth, Jane Mandlik found some notes Brinson was writing on the history of dance in education, showing just how far back it goes,
The dancing master an important element from the Renaissance when he came particularly into his own.
Importance of dancing in education began to be reflected in English education in the work of educationists such as Francis Bacon
Importance of [John] Weaver as theoretician. Weaver [wrote] Anatomical and Mechanical Lectures upon Dancing, 1721
Jane said that perhaps we can see Weaver as a forerunner of Rudolf Laban? If you would like to look at any of the material our stalwart volunteers are finding, browse the Peter Brinson Collection at http://calm.trinitylaban.ac.uk/calmview/Record.aspx?src=Catalog&id=D12